{"product_id":"rq-vol5-issue3-requiem","title":"RQ Vol. 5 \/\/ Issue 3 \/\/ REQUIEM \/\/ WINTER 2024","description":"\u003cdiv class=\"sqs-layout sqs-grid-12 columns-12\" data-layout-label=\"Post Body\" data-type=\"item\" id=\"item-65c688cbc5a8bc45237cd86a\"\u003e\u003cdiv class=\"row sqs-row\"\u003e\u003cdiv class=\"col sqs-col-12 span-12\"\u003e\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}' data-sqsp-block=\"text\" id=\"block-3d16e9a8b81e57583a26\"\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\n\u003cdiv class=\"sqs-html-content\" data-sqsp-text-block-content\u003e\n  \u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eEditor-in-Chief \u003cstrong\u003eHeather Shayne Blakeslee\u003c\/strong\u003e revisits the \u003cstrong\u003eJoseph Brodksy essay “On Grief and Reason\u003c\/strong\u003e” \/\/ We recommend \u003cstrong\u003e\u003cem\u003eH is for Hawk\u003c\/em\u003e\u003c\/strong\u003e, a memoir about\u003cstrong\u003e grief-filled falconry,\u003c\/strong\u003e and\u003cstrong\u003e artist Natessa Amin’s “Feed the Moon” \u003c\/strong\u003eshow at \u003cstrong\u003eCommonweal Gallery \u003c\/strong\u003e\/\/ We visit the \u003cstrong\u003eKimmel Center Cultural Campus\u003c\/strong\u003e to hear \u003cstrong\u003eBrahms' requiem \u003c\/strong\u003eand resurrect \u003cstrong\u003eLeonard Bernstein\u003c\/strong\u003e and \u003cstrong\u003eTom Wolfe \u003c\/strong\u003eat the movies \/\/ Contributing Editor \u003cstrong\u003eDiana Lu mourns the end of her time in Philadelphia\u003c\/strong\u003e \/\/ \u003cstrong\u003eSongwriter Deb Montgomery\u003c\/strong\u003e issues a\u003cstrong\u003e plea on behalf of God\u003c\/strong\u003e. With images by \u003cstrong\u003eNicole Michaud\u003c\/strong\u003e. \/\/ \u003cstrong\u003eIllustrator Julia Wald\u003c\/strong\u003e asks what happens if we \u003cstrong\u003etolerate the slaughter of Israeli civilians\u003c\/strong\u003e \/\/ \u003cstrong\u003ePhotographer and activist Aisha Mershani \u003c\/strong\u003eon her 20-year history documenting \u003cstrong\u003ePalestinian lives\u003c\/strong\u003e and her traveling show,\u003cstrong\u003e “La La Lil Jidar”\u003c\/strong\u003e \/\/ \u003cstrong\u003eSpencer Lane Jones\u003c\/strong\u003e explores \u003cstrong\u003econscientious objection\u003c\/strong\u003e and \u003cstrong\u003eBenjamin Britten’s \u003cem\u003eWar Requiem\u003c\/em\u003e\u003c\/strong\u003e \/\/ \u003cstrong\u003ePoetry Editor Joshua Mehiga\u003c\/strong\u003en leads us through the \u003cstrong\u003epoetic origins of “O Death” \u003c\/strong\u003e\/\/ \u003cstrong\u003eElaine Crivelli \u003c\/strong\u003eon \u003cstrong\u003ethe science of memory\u003c\/strong\u003e in\u003cstrong\u003e artist Patricia Moss-Vreeland\u003c\/strong\u003e’s work \/\/ \u003cstrong\u003eEducator Grant Leonard \u003c\/strong\u003eexplores \u003cstrong\u003eWilliam MacAskill\u003c\/strong\u003e’s concept of\u003cstrong\u003e “longtermism”\u003c\/strong\u003e and \u003cstrong\u003ewhat we owe the future\u003c\/strong\u003e \/\/\u003c\/p\u003e\n\u003c\/div\u003e\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n  \n  \n\n\n\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"Root Quarterly","offers":[{"title":"Default Title","offer_id":46629105860769,"sku":"RQ-MAG-V5I3-REQUIEM-W2024","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0031\/9540\/4333\/files\/RQ5-3_Cover-72dpi.webp?v=1782840277","url":"https:\/\/root-quarterly.myshopify.com\/products\/rq-vol5-issue3-requiem","provider":"Root Quarterly","version":"1.0","type":"link"}